Monsters vs. Aliens

Directors: Rob Letterman, Conrad Vernon
Cast: Reese Witherspoon, Seth Rogen, Hugh Laurie, Keifer Sutherland, Will Arnett, Rainn Wilson, Stephen Colbert, Paul Rudd, Julie White, Jeffrey Tambor

Unfortunately, pleasant surprises at the movies are few and far between. Generally, I end up surprised that I've been duped into watching something horrible either by the advertising or the talent involved. However, every once in a while, I walk out of a film I fully expected to disappoint feeling like it was the perfect drug for what was ailing me. It happened two Thanksgivings ago, when I wen to see Enchanted, and it happened again today when I saw Monsters vs. Aliens.

The characters in Monsters vs. Aliens are an amalgamation of 1950's sci-fi B-movie stock characters, but they are utilized in such a way as to maximize the comedy without completely parodying the genre. It's a simple story, which is pretty mych laid out in the title, but unlike 2006's Snakes on a Plane, the writers actually took the time to think past the cleverly direct title and add a story worth watching, if slightly overly familiar in places.

The voice talent was impressive for a film that relied on famous names. Paul Rudd (Derek) sounds so much like Conan O'Brien in scenes, I was convinced that it was the new Tonight Show host in the part. Keifer Sutherland is equally delightful as a general with a name so awesome it would be criminal for me to reveal it here. Earning the largest laughs were Hugh Laurie as Dr. Cockroach and Seth Rogen as B.O.B. In fact, Rogen's character is one of those lovable dolts that you want to take home once the film is over.

The biggest and best vocal surprise, however, was nerd-extraordinaire Rainn Wilson as the villain. While Wilson usually annoys me when he tries to be the funniest thing in a movie (see: Juno), I find that I appreciate him in smaller, less visual roles, such as the ones he played in Galaxy Quest and Almost Famous. In this film, he is the perfect fit, both for the part portrayed, and for the collection of talent.

The animation is beautiful and detailed; I especially liked Susan/Ginormica's suit later in the film and the multi-dimensionality of B.O.B., and, lest I forget, Insectosaurus is the most unlikely adorable cinematic insect since the cockroach in Wall-E. This film was made for the 3-D format. I did not see a screening utilizing that technology, but I could see where it would work best in the film. Thankfully, unlike next week's Battle for Terra, it does not look like they decided to make a 3-D movie and forgot to build a plot around the WOW moments.

I would strongly recommend this film for children over 6 and anyone who appreciates animation and sci-fi B-movies. While Monsters vs. Aliens is not the best or most original animated film that I've seen, it did make me laugh out loud and put a smile on my face that has lasted all day.

Just to tide you over until the official first post...

I wanted to get something posted right away, and since I just started this blog, I decided to re-publish my 1999 review of The Green Mile to give you a sample of my writing style. Enjoy, and please feel free to let me know what you think in the comments section.

The Green Mile
Warner Bros. & Castle Rock Entertainment present a film adapted and directed by Frank Darabont, based on the novel in six parts by Stephen King. With Tom Hanks (Paul Edgecomb), David Morse (Brutus "Brutal" Howell), Bonnie Hunt (Jan Edgecomb), Michael Clarke Duncan (John Coffey), James Cromwell (Hal Moores), Doug Hutchinson (Percy Wetmore)

Make no mistake, The Green Mile is by no means the best movie of the year. (My vote on that still belongs to The Insider.) Nor is it as excellent a film as Darabont's debut, The Shawshank Redemption (1994). What it is, however, is an honest, accurate adaptation of Stephen King's moving six part novel.

The story opens with an elderly Paul Edgecomb (veteran actor Dabs Greer) relating the story of his final year as a death row prison guard at Cold Mountain Penitentiary in Louisiana to a friend at the nursing home in which he has taken residence. The story is told in flashback, and many have taken to comparing this to the technique used in Saving Private Ryan. Yet, while Ryan was told in flashback seemingly by an individual who did not take part in the primary events, this film's flashback bookends are necessary in keeping with the original novel.

As Edgecomb relates his story to his friend and to us, we are introduced to life on The Green Mile- so named because of the color of the floor tile. Even though his job is to watch over and ultimately lead the unlucky souls of death row to the electric chair, the younger Edgecomb (Tom Hanks) treats his charges with compassion and dignity. Despite what you may have heard about this being a different kind of role for Hanks, it is hard to see where anyone got that idea.

Life on the mile, however, consists of routine. That is, until the day a seven foot black man convicted of raping and killing two nine year old sisters is brought to the mile. On first meeting, John Coffey (Michael Clarke Duncan) appears to be a gentle giant- asking only if they leave a light on after dark. He offers his hand to Edgecomb like a man with nothing to be ashamed of, but his eyes are constantly tearing, even though he does not bawl.

Though he might not have the majority of the screen time, John Coffey is the central character in this tale, and Michael Clarke Duncan turns in a breakthrough performance as the simple man with a blessed gift. In fact, if Duncan is not at least nominated for Best Supporting Actor at this year's Academy Awards, I am going to wonder why. After seeing this film, I went home and popped in Armageddon (1998) just to see if Duncan showed any signs of this talent then. It was only when holding the two performances against each other that I saw that he did.

All of the performances in this movie are incredibly well done, not the least of which is that of Doug Hutchinson as the evil, nasty little brat of a warden whose aunt just happens to be married to the governor of Louisiana. Formerly best known for his guest spot as Eugene Tooms, the liver eating mutant on The X-Files, Hutchinson puts one in mind of a young Kevin Spacey, particularly with his head movements and well-defined mouth.

There were moments in The Green Mile when I wished Frank Darabont would fall out of love with exploding light bulbs, and, of course, there were also times I wished this weren't a film about death row (as in the "Bad Death of Eduard Delacroix"), but Darabont doesn't drag the film out any longer than he has to to include all the wonder that was evident in the novel.

Your time is well invested in this three hour-long journey, and you will leave the theatre talking about life, death, miracles, God, compassion, evil, the death penalty, and Michael Clarke Duncan.